Brover the Great

(This idea will not be continued, I've realized that my English wasn't good enough to write a proper story here)

rating: 0+x
Item: The Little Filmmaker
Living: No
Sentient: Unknown
Potential/Current Hazards Risk of major information leak if usec against the Insurgency
Required Wear/Weaponry Nothing
Location: Overwatch Central Base: One
Poster_01.png

Poster N°32 made on POI-UC442 with the Printer.

Usage

As ordered, the use of any of the Items under the name "The Little Filmmaker" need the authorization of two Beta personnel. The three Items are to be handled by one person. Under no circumstances should any of the three components be used against (Insurgent -optional) personnel.

Only the "Camera" component may be removed from Base-01's premises. Usage will only be permitted if the Target can be recorded without any risk to the Item Handler or the Item. Should there be any uncertainty to the user's safety, permission will be denied.

Each component of "The Little Filmmaker" must be stored in separate vaults at Base-01 inside a unit with CCTV surveillance. Two guards who are unaware of the Item are to be posted outside the entrance.

Major Update : Following the ██/██/2007 Incident involving Dr. Combs and Shanalick, Item usage has been suspended by High Commander ██████ ███████. For more information, consult Appendix-B5.

Report

"The Little Filmmaker" is a set of three items, respectively composed of a film camera manufactured in the 1910's, a damaged printer from 1920 and a 90-page manuscript of a screenplay. Close evaluation states that the components are handmade. The Item was formerly in the possession of a deceased anomalous artist, potentially the creator, who was active during 1930.

Subjects recorded by the camera for 30 seconds will have a "trailer" about themselves produced by the film reel, with the trailer lasting a runtime of roughly 90 seconds. The trailers possess sound and full technicolor.1

The trailers can be used to gain information on the subject. When one is made, the printer automatically begins to produce a movie poster based on it. Each poster will always contain a picture of the subject, as well as their real name, stage name, and occasionally an "Upcoming Date" which can point to the actual date of the subject's death.

The screenplay changes every time a subject is filmed. The manuscript tells a story about the subject using highly sensitive, personal details. Sometimes, "adaptations" of their lives are used within the document. Quotes from the Screenplay are subject to change to correspond with the new "adaptation", thus rendering unfruitful any attempts to archive a subject's story.

Appendix


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